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Portfolio

Lili Bernard. Carlota Leading the People (after Eugene Delacroix Liberty Leading the People, 1830), 2011. Oil on, Canvas 60 x 72 inches

Lili Bernard. Carlota Leading the People (after Eugene Delacroix Liberty Leading the People, 1830), 2011. Oil on, Canvas 60 x 72 inches

Lili Bernard. Orisha Chart One, 2019. Acrylic, Rope, Clay, Metal, Wood, Straw, Plastic, Toys, Candy, Beads, Faux Jewelry and Digital Photos on Canvas, 30 x 36 inches

Lili Bernard. Orisha Chart One, 2019. Acrylic, Rope, Clay, Metal, Wood, Straw, Plastic, Toys, Candy, Beads, Faux Jewelry and Digital Photos on Canvas, 30 x 36 inches

Lili Bernard. Calle en Santiago De Cuba con Elegua, 2017. Oil on Canvas, 24 x 30 inches

Lili Bernard. Calle en Santiago De Cuba con Elegua, 2017. Oil on Canvas, 24 x 30 inches

Lili Bernard. El Mambí en La Manigua (My Abuelo José), 2007. Oil on Canvas, 36 x 48 inches

Lili Bernard. El Mambí en La Manigua (My Abuelo José), 2007. Oil on Canvas, 36 x 48 inches

Lili Bernard. Nina Simone in Pallet Knife, 2011. Oil on Canvas, 30 X 24 inches

Lili Bernard. Nina Simone in Pallet Knife, 2011. Oil on Canvas, 30 X 24 inches

Lili Bernard. Digan Nuestros Nombres, Carlota y Fermina Lucumí, La Escalera, Matanzas Cuba, 1843-1844, 2021. Graphite on Paper, 8.5 x 11 inches

Lili Bernard. Digan Nuestros Nombres, Carlota y Fermina Lucumí, La Escalera, Matanzas Cuba, 1843-1844, 2021. Graphite on Paper, 8.5 x 11 inches

Lili Bernard. El Professor, My Abuelo El Pastor José Rodríguez Figueroa, 2017. Oil on Canvas, 24 x 20 inches

"My paternal grandfather was AfroCuban. He, both my parents, most of my siblings and I were all born in Santiago de Cuba. My grandmothers were both born in Kingston, Jamaica. My mom's dad was born in Spain and her grandfather was born in China. That makes my heritage African, Cuban, Jamaican, Spanish and Chinese."

LILI BERNARD

Lili Bernard. El Professor, My Abuelo El Pastor José Rodríguez Figueroa, 2017. Oil on Canvas, 24 x 20 inches

"My paternal grandfather was AfroCuban. He, both my parents, most of my siblings and I were all born in Santiago de Cuba. My grandmothers were both born in Kingston, Jamaica. My mom's dad was born in Spain and her grandfather was born in China. That makes my heritage African, Cuban, Jamaican, Spanish and Chinese."

LILI BERNARD

Lili Bernard. Beware of Boogiemen Disguised as Deity, 2019. Acrylic paint, faux jewels, glass beads, digital photographs, pom-pom balls, stainless steel, siren, LED lights and batteries on canvas and wood, 76 x 36 x 7 inches

Lili Bernard. Beware of Boogiemen Disguised as Deity, 2019. Acrylic paint, faux jewels, glass beads, digital photographs, pom-pom balls, stainless steel, siren, LED lights and batteries on canvas and wood, 76 x 36 x 7 inches

Lili Bernard. Baby doll parts, Barbies, highchair, baby mobile, nails, cotton fabric, rope, chain, scissors, digital photos, children’s book, acrylic paint, 60 x 40 x 30 inches

Lili Bernard. Baby doll parts, Barbies, highchair, baby mobile, nails, cotton fabric, rope, chain, scissors, digital photos, children’s book, acrylic paint, 60 x 40 x 30 inches

Lili Bernard. Oshun Retro Sheen Hair Oil Poster and Bottle Label for Donning and Dismissal of the Conqueror’s Coiffure, 2014. Digital Print, 30 x 40 inches

"Lili Bernard infuses a sticky combination of spirituality and satire into her offerings here. She is known widely for her paintings of Orishas, the saint-like pre-Christian gods worshipped in the Caribbean by African slaves. She expands on that theme with inventive sculptural altars to hair salons as well as a satirical advertisement for Orishas as natural hair products."

MAT GLEASON, Huff Post

Lili Bernard. Oshun Retro Sheen Hair Oil Poster and Bottle Label for Donning and Dismissal of the Conqueror’s Coiffure, 2014. Digital Print, 30 x 40 inches

"Lili Bernard infuses a sticky combination of spirituality and satire into her offerings here. She is known widely for her paintings of Orishas, the saint-like pre-Christian gods worshipped in the Caribbean by African slaves. She expands on that theme with inventive sculptural altars to hair salons as well as a satirical advertisement for Orishas as natural hair products."

MAT GLEASON, Huff Post

Lili Bernard. Orishas Through the Crossroads and the Gate, 2014. Acrylic paint on wood and vinyl mats, rubber bouncing ball. Installation, Leimert Park Vision Theatre, Los Angeles

"Orishas Through the Crossroads and the Gate metaphorically explores the impact of colonization as it pertains to privilege, access, boundaries and transcendence. Through thematic stylization, the installation centers on the syncretism of AfroCaribbean religion with Catholicism. The public is invited to ponder the concept of creolization by playfully engaging with the art in a game of four square."

LILI BERNARD

Lili Bernard. Orishas Through the Crossroads and the Gate, 2014. Acrylic paint on wood and vinyl mats, rubber bouncing ball. Installation, Leimert Park Vision Theatre, Los Angeles

"Orishas Through the Crossroads and the Gate metaphorically explores the impact of colonization as it pertains to privilege, access, boundaries and transcendence. Through thematic stylization, the installation centers on the syncretism of AfroCaribbean religion with Catholicism. The public is invited to ponder the concept of creolization by playfully engaging with the art in a game of four square."

LILI BERNARD

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